
PRESERVED
IN ASPIC
A Billy Joel song has been going through my mind incessantly in
the past few days. Tragic circumstances prompted it.
The song is “Only the Good Die Young”. You know the
hit from an old album about “Wake up, Virginia…”
and the selfish “I might as well be the one”.
The truth is that it is not true. It is always tragic when young
lives are snuffed out. Mountains not climbed. Careers not achieved.
Parents and siblings and lovers deserted. And often, in tragedy,
there has been no time for goodbyes. No so-called “closure”.
This melancholic mood has been, obviously, prompted by the death
of my 3AW colleague and national cricket star David Hookes.
He died, senselessly, young. And a Sunday night hotel confrontation
has changed a lot of lives. Hookes was only 48. His alleged, accused,
assailant is less than half that.
The courts and the coroner will rule on all of this and that is
not a territory where I want to go right now.
I have a crude expression for some people dying young. I have said
in print and on radio that it has “preserved them in aspic”.
I know it sounds cynical. But when somebody said that Princess Diana’s
death was “a great career move” there was a touch of
truth to it.
Think of it. The most famous woman in the world never got old.
Never got crows’ feet. Never got a wrinkly neck or arthritic
fingers. Her funeral was probably the most publicised outpouring
of grief around the world in decades. More than Gandhi. More than
Mother Teresa. The most mourned person in the world since –
and probably more than – the boyish assassinated American
president John Fitzgerald Kennedy.
Speaking of Kennedy… think of his extra-marital girlfriend
Marilyn Monroe. The sexiest actress in Hollywood history died in
her thirties. Preserved in aspec. She lives forever like the nude
calendar shot in Playboy or the last photo shoot behind a see-through
chiffon scarf.
She never grew old. Never disintegrated in front of us. Unlike
Elizabeth Taylor who now trails around with the grotesque, plastic
surgery enhanced, Michael Jackson. It is a bizarre theory but if
Taylor had died like Monroe, or the decapitated buxom blonde Jayne
Mansfield or the young and handsome James Dean, the lasting memory
of the violet-eyed Liz would have been different. Mae West ended
her life looking like something out of Madame Taussard’s waxworks.
Her much-publicised famous daily enemas obviously didn’t help
her that much.
I interviewed her in her dotage. She reminded me of that joke about
the woman who had had so many face-lifts that every time she sat
down her mouth flew open. Imagine if Mae West, after whose breasts
they named a life-jacket in World War Two, had died in her sexy,
“come up and see me sometime”, period.
Imagine if Elvis Presley had passed on in some tragic manner while
in his prime? Imagine if he had left us before the blimpish days
in his too-tight sequinned jump suit, sweating profusely in Hawaii,
when you could safely say “Elvis has eaten the building”.
There are others. John Lennon. Jimmy Hendrix. A lot of radio people
are guilty, me included, of quoting the sick joke that if Karen
Carpenter had eaten Momma Cass’s sandwich they would both
be alive today. Cass fatally choked on her sandwich. Carpenter died
of anorexia.
Death freezes these people in our minds. They do never grow old.
They are snatched from us, usually tragically, at a painfully young
age. We remember where we were and what we were doing when we heard
of their deaths.
And because they went so young and so soon and so tragically we
tend to gloss over any frailties or failings. Build up their strengths
and ignore their deficiencies. Even though, sometimes at personal
and professional cost, I have said, like a mantra, that “all
history owes the dead is the truth”. If not, what’s
the point about any of it.
This week at radio station 3AW I got into murky water, and came
close to being fired, because I refused to toe the line about the
David Hookes tragedy.
Last week, I upset some colleagues, because I had learned –
not from family – that his life support system was about to
be turned off. On that tragic, searing, Monday I interviewed the
station’s general manager, Shane Healy, and put that news
to him. He was not in a position to confirm it. I was. And I was
not going to insult listeners by playing a game and insisting they
should pray for our colleague when I knew it was over.
Similarly, this week, I had some colleagues calling for my sacking
because, on the day of David’s funeral, I revealed that he
and his wife had separated last year.
I was challenged as to why I announced it that day. Simple. That
was the day I found out. As I said: All history owes the dead is
the truth. Me included.
I told the station management: Hinch gets hit by a bus tonight
and dies. You find a scandal about me tomorrow. Go with it. Be honest.
We are not a bullshit station.
I would have, my colleagues would have, revealed something about
Eddie McGuire, Sam Newman, Molly Meldrum. And have. And don’t
forget Hooksey and his slash at the “hairy-backed sheila”
in the Shane Warne affair.
I will not apologise to anybody about my Hookes comments. Journalistically,
I have been ethical, factual, responsible.
A senior AW executive told me this week that my “head right
but your heart was morally wrong”.
Don’t agree. But, in grief, we all make out own calls.
February 1, 2004
.©Copyright
Derryn Hinch 2003
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